Disco Elysium’s Post-Socialism Evokes Nostalgia and Melancholy (The Escapist, Mar 21)

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BioShock 2: Minerva’s Den Puts You at the Heart of a Thought Experiment (The Escapist, Mar 21)

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Why ‘You Died’ Works Better than ‘Game Over’ (The Escapist, Mar 21)

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The Arbiter Represented Elevated Storytelling in Halo, Casting a Heavy Shadow on Future Games (The Escapist, Feb 21)

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The Joy of Unvoiced Game Text (The Escapist, Feb 21)

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Enough Medieval Fantasy RPGs Already (The Escapist, Jan 21)

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Half-Life: Alyx Is Not Receiving the Mainstream Recognition It Deserves (The Escapist, Jan 21)

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Pathologic 2 Is a Fascinating Experiment in Method Role-Playing (The Escapist, Nov 20)

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Baldur’s Gate 3’s Mind-Eating Parasite Informs All of Act 1, for Better and for Worse (The Escapist, Oct 20)

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How Thief Helped Pioneer the New Weird Genre (The Escapist, Oct 20)

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A Weekend with Crusader Kings III, or: How I Learned to Stop Worrying and Love the Complexity (The Escapist, Sep 20)

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The Spice Must Flow: The Rise and Fall of Dune Games (The Escapist, Sep 20)

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Wasteland 3 Review: A Shakespearean Narrative in a Lifeless World (The Escapist, Sep 20)

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Why Deus Ex: Human Revolution Is Being Forgotten (The Escapist, Aug 20)